Summer 2014 Deals
28 June 2014
Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
About Us

The studio began as an idea in late 2006.

Three initial partners = more equipment and experience. We decided it would be best to merge and put our know-how and resources together, so that we could have one of the best studios in Vancouver.

"FaderMaster Studios" officially opened its doors on July 1, 2007. The studio became fully operational in September of 2007 at the 3424 Commercial Street location in Vancouver, Canada.

We are a flexible studio with a wide variety of digital and analogue equipment. We have everything from custom-made magic boxes, vintage rarities and classic pieces of hardware, to the latest digital doo-dads.

We're constantly adding things to the studio to make it a place where anyone can go and get the sound they need. We want to be able to do anything so you can too.

In December of 2011, FaderMaster Studios became Fader Master Sound Studios Inc.

In January 2012, Fader Master Sound Studios Inc., merged with Garth Richardson (The Farm Studios) & Ben Kaplan (Fly Fantastic Productions), under the name "Fader Mountain Sound Inc.". in the same location that was previously known as the infamous "Little Mountain Sound."

Fader Master Sound Studios Inc. now resides inside all that is Fader Mountain Sound Inc. at:

201 West 7th Avenue - Unit B

Vancouver, BC V5Y 1L9


If you'd like to know more about us, send any one of us an e-mail or call (604) 628-2055













 

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COMPLEX TONE

A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.

SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

SYMPATHETIC VIBRATION

An OSCILLATION produced in an object which resonates at the same FREQUENCY, or a HARMONIC multiple thereof, as that present in a sound wave in contact with the object.

ECHOLOCATION

The use of reflected SOUND WAVEs for obtaining environmental information. Certain animals, such as the bat and the porpoise, emit pulses of extremely high frequency sound (up to 50 kHz for bats, and up to 170 kHz for porpoises and whales) in narrow, intense streams. The REFLECTION, or ECHO, of these sounds supplies information regarding the nature and location of objects in the environment. When an emission of varying frequency is used, such as with bats, the echoes, travelling varying distances to the ear, are heard as different frequencies in each ear, thus supplying directional information.

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