FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
About Us

The studio began as an idea in late 2006.

Three initial partners = more equipment and experience. We decided it would be best to merge and put our know-how and resources together, so that we could have one of the best studios in Vancouver.

"FaderMaster Studios" officially opened its doors on July 1, 2007. The studio became fully operational in September of 2007 at the 3424 Commercial Street location in Vancouver, Canada.

We are a flexible studio with a wide variety of digital and analogue equipment. We have everything from custom-made magic boxes, vintage rarities and classic pieces of hardware, to the latest digital doo-dads.

We're constantly adding things to the studio to make it a place where anyone can go and get the sound they need. We want to be able to do anything so you can too.

In December of 2011, FaderMaster Studios became Fader Master Sound Studios Inc.

In January 2012, Fader Master Sound Studios Inc., merged with Garth Richardson (The Farm Studios) & Ben Kaplan (Fly Fantastic Productions), under the name "Fader Mountain Sound Inc.". in the same location that was previously known as the infamous "Little Mountain Sound."

Fader Master Sound Studios Inc. now resides inside all that is Fader Mountain Sound Inc. at:

201 West 7th Avenue - Unit B

Vancouver, BC V5Y 1L9


If you'd like to know more about us, send any one of us an e-mail or call (604) 628-2055













 

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BEATS

If two TONEs are about 15 Hertz or less apart, INTERFERENCE will result from their similar though not exactly identical frequencies. Gradually they will move out of PHASE until at 180° destructive interference results, producing diminished loudness. When they move back into phase, constructive interference will produce increased loudness. Thus, beats are a form of AMPLITUDE MODULATION. As two frequencies are brought closer together, the beats will gradually slow down and disappear when they become identical.

COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

TAPE LOOP

A segment or sequence of segments of MAGNETIC TAPE which have been SPLICEd end-to-end to form a loop or circle. When played in this form, the taped sound is continuously repeated, as distinct from tape ECHO or tape FEEDBACK.

SONORITY

The tonal QUALITY or TIMBRE of a sound. The term is usually used in a subjective, descriptive manner, often with such adjectives as 'full' or 'rich'.

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