FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
About Us

The studio began as an idea in late 2006.

Three initial partners = more equipment and experience. We decided it would be best to merge and put our know-how and resources together, so that we could have one of the best studios in Vancouver.

"FaderMaster Studios" officially opened its doors on July 1, 2007. The studio became fully operational in September of 2007 at the 3424 Commercial Street location in Vancouver, Canada.

We are a flexible studio with a wide variety of digital and analogue equipment. We have everything from custom-made magic boxes, vintage rarities and classic pieces of hardware, to the latest digital doo-dads.

We're constantly adding things to the studio to make it a place where anyone can go and get the sound they need. We want to be able to do anything so you can too.

In December of 2011, FaderMaster Studios became Fader Master Sound Studios Inc.

In January 2012, Fader Master Sound Studios Inc., merged with Garth Richardson (The Farm Studios) & Ben Kaplan (Fly Fantastic Productions), under the name "Fader Mountain Sound Inc.". in the same location that was previously known as the infamous "Little Mountain Sound."

Fader Master Sound Studios Inc. now resides inside all that is Fader Mountain Sound Inc. at:

201 West 7th Avenue - Unit B

Vancouver, BC V5Y 1L9


If you'd like to know more about us, send any one of us an e-mail or call (604) 628-2055













 

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SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

TAPE RECORDER

The device, successor to the MAGNETIC WIRE recorder, which since the 1940s (when it was called the sound mirror) has been the most commonly used means of storing and reproducing an AUDIO signal.

COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

SONORITY

The tonal QUALITY or TIMBRE of a sound. The term is usually used in a subjective, descriptive manner, often with such adjectives as 'full' or 'rich'.

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