Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Busting at the seams!
Friday, 20 November 2009 00:00



It seems that our little studio studio is getting smaller everyday. There are so many great talents working out of here these days, that we're all chomping at the bit to book some studio time. Who says the recession thing is real? There comes a time in every studio's life to carefully consider its future and options. It seems our only option is MORE SPACE! We need to move, and we need to do it soon, or the seams that hold this dear little studio studio together will literally burst wide open. Our attics are full, we can't fit any more racks into the control room, and the B-ROOM is just too crowded to dance around in most of the time.

             Top Reasons to Move:
  1. Brock will have enough space in the control room to park his MINI.
  2. Spencer will have his own room for breathing in.
  3. Kevin will have a room just to keep his tushy pillows in.
  4. Jordan's room will be full of bunny rabbits and baseball bats.
  5. Daniel will finally get a room for his super high-end spa treatments.
  6. Paul's room will cosnsist of thousands of tiny objects, all neatly aligned for no reason.
  7. Shawn will use his room to hold all of the nerds he captures with his tricorder.

What we're trying to say is that we're trying to move into a larger facilty ASAP! Nothing is set in stone at the moment, but we're looking seriously at the idea of a new facility.



 

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COMPLEX TONE

A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.

BEATS

If two TONEs are about 15 Hertz or less apart, INTERFERENCE will result from their similar though not exactly identical frequencies. Gradually they will move out of PHASE until at 180° destructive interference results, producing diminished loudness. When they move back into phase, constructive interference will produce increased loudness. Thus, beats are a form of AMPLITUDE MODULATION. As two frequencies are brought closer together, the beats will gradually slow down and disappear when they become identical.

SPECTRUM

The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.

SONICS

Although often employed interchangeably with ACOUSTICS, the term might better be restricted to the technology dealing with the practical applications of SOUND, as distinct from the pure science of acoustics. (It will be noted, however, that the contemporary acoustical engineer or acoustician is often mostly involved with the practical applications of sound.)

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