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Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.
A segment or sequence of segments of MAGNETIC TAPE which have been SPLICEd end-to-end to form a loop or circle. When played in this form, the taped sound is continuously repeated, as distinct from tape ECHO or tape FEEDBACK.
A single sound of definite, recognizable PITCH. It also refers to the SONORITY or the quality of TIMBRE of a particular sound or sounding instrument. In British musical usage the word is also employed to refer to the INTERVAL of a major SECOND.
In the perception of ACOUSTIC SPACE, projicience refers to the sense of depth of a sound in the space.