FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Clients



Bands & Artists

Some of the bands and artists we've worked with in some capacity.

This is a collective list of our clients.

41st and Home

A Thousand Tiny Lights

Adaline

Adrian Glynn

AHNA

Alkatraz

Aly Abji
Aneil
Animal Names

Annie Nolan

Ariel Peters

Ashley MacIsaac

Asrar

Axon Guidance

B-LINES

Bend Sinister

Bess Durey

Black Wizard

Bob Mann

Bodhi Jones

Boreal Sons

Boss

The Brass Action
 
Businesses & Media

Some of the companies and businesses we've done work for in the past.

Band Merch Canada
Brown Bag Music
Capilano Suspension Bridge & Park
Gumboot Productions
Two Stops Under Productions

 
Television - Film & Media

Video/film/TV work we've done (mixing/sound design/score/editing)

Gundam Seed Destiny

Gumboot Productions


 
Producers & Engineers

Some of the engineers and producers that have worked and continue to work out of our studio.

Analog Steve

Andrew Morales
Bobby Hobart
Chris Michel

Chris Murphy
Christian Rubbert
Derek Hill

Elisa Paensang
Erik Armstrong
Futcher

Gabriel Maga
Matt Gauthier

Mike Gittens
Peter Wisstoff
Tony Chamberlist

Winston


 


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MUSIQUE CONCR

(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.

PSYCHOACOUSTICS

The study of the relationship between physical SOUNDs and the brain's interpretation of them. Until recently, psychoacoustics has devoted more attention to the behaviour of the peripheral auditory system than to the details of cognitive processing.

FUNDAMENTAL

If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.

COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

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