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An OSCILLATION produced in an object which resonates at the same FREQUENCY, or a HARMONIC multiple thereof, as that present in a sound wave in contact with the object.
The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.
When sounds are conducted separately and independently to each ear via tubes or headphones, the sounds are said to be heard dichotically. In various psychoacoustic experiments, isolation of the function of each ear is desirable, such as in the testing or simulation of BINAURAL HEARING with the PRECEDENCE EFFECT, or in testing preferences for different sounds presented simultaneously to separate ears.
If two TONEs are about 15 Hertz or less apart, INTERFERENCE will result from their similar though not exactly identical frequencies. Gradually they will move out of PHASE until at 180° destructive interference results, producing diminished loudness. When they move back into phase, constructive interference will produce increased loudness. Thus, beats are a form of AMPLITUDE MODULATION. As two frequencies are brought closer together, the beats will gradually slow down and disappear when they become identical.