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Any FREQUENCY in the audible RANGE, usually between 20 and 20,000 Hz, and often referring to the frequency of AUDIO signals. Also called the audio spectrum.
(Greek: akouein = to hear) Commonly, the study of SOUND and its behaviour in various media and environments, including the effects of ABSORPTION, DIFFRACTION, INTERFERENCE, REFLECTION, and REFRACTION.
(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
The device, successor to the MAGNETIC WIRE recorder, which since the 1940s (when it was called the sound mirror) has been the most commonly used means of storing and reproducing an AUDIO signal.