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A term used in broadcasting and recording to indicate a spatial movement of a SIGNAL. A sound is panned when it is moved smoothly from one location (e.g. LOUDSPEAKER or CHANNEL) to another. This is accomplished by using various ATTENUATORs or POTENTIOMETERs, sometimes combined into a single unit called a pan-pot or panoramic divider in order to control the AMPLITUDE of the signal in each channel.
When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.
A recent development where, in contrast to the conventional analog TAPE RECORDER, the audio SIGNAL is sampled within a set of pre-defined limits. It is thus the reciprocal process to that described as digital SOUND SYNTHESIS. Digital sampling is also used is some digital SOUND SYNTHESIZERs.
A segment or sequence of segments of MAGNETIC TAPE which have been SPLICEd end-to-end to form a loop or circle. When played in this form, the taped sound is continuously repeated, as distinct from tape ECHO or tape FEEDBACK.