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Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.
Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.
The atmosphere exerts pressure on all objects in it. When a vibrating body moves in air, it creates slight disturbances of the AMBIENT atmospheric pressure. The AMPLITUDE of these pressure variations is called the sound pressure variation, whereas the effective pressure variation is 0.707 the maximum value. The oscillating variations in sound pressure (called the WAVEFORM of the sound) PROPAGATE in the form of a SOUND WAVE.
Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.