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The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.
The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.
An OSCILLATION produced in an object which resonates at the same FREQUENCY, or a HARMONIC multiple thereof, as that present in a sound wave in contact with the object.
A recent development where, in contrast to the conventional analog TAPE RECORDER, the audio SIGNAL is sampled within a set of pre-defined limits. It is thus the reciprocal process to that described as digital SOUND SYNTHESIS. Digital sampling is also used is some digital SOUND SYNTHESIZERs.