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A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.
For any PERIODIC wave the wavelength is the distance from a given point in the wave to the corresponding point in the next cycle of the wave, frequently represented by the Greek letter lambda. It may also be thought of as the distance the sound travels in one CYCLE or PERIOD.
(German: artificial head). A STEREOPHONIC recording system developed in Germany which employs an artificial head sitting on a resonator similar to a chest cavity. The recording MICROPHONEs are situated within the head, inside an anatomically correct ear canal, at the point where the human eardrum is located. Artificial PINNAE are carefully designed for accurate reflection of the incoming sound in order to achieve the good front-back and height-depth perspective for which the technique is noted.
A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.