Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!

Technical Questions


Do you have Pro Tools?
Do you use MACs or PCs?
Should I bring a hard drive? What kind?

Latest Forum Posts

  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

TAPE LOOP

A segment or sequence of segments of MAGNETIC TAPE which have been SPLICEd end-to-end to form a loop or circle. When played in this form, the taped sound is continuously repeated, as distinct from tape ECHO or tape FEEDBACK.

TAPE RECORDER

The device, successor to the MAGNETIC WIRE recorder, which since the 1940s (when it was called the sound mirror) has been the most commonly used means of storing and reproducing an AUDIO signal.

Latest Podcast