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(German: artificial head). A STEREOPHONIC recording system developed in Germany which employs an artificial head sitting on a resonator similar to a chest cavity. The recording MICROPHONEs are situated within the head, inside an anatomically correct ear canal, at the point where the human eardrum is located. Artificial PINNAE are carefully designed for accurate reflection of the incoming sound in order to achieve the good front-back and height-depth perspective for which the technique is noted.
(Greek: akouein = to hear) Commonly, the study of SOUND and its behaviour in various media and environments, including the effects of ABSORPTION, DIFFRACTION, INTERFERENCE, REFLECTION, and REFRACTION.
(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
Any VIBRATION in the air or other medium, some types of which are able to cause a sensation of hearing.