|Are drinks and food included with a session?|
|Do I get a producer for the session?|
|Do I get a runner/helper with the session?|
|Do I get an assistant engineer as well as an engineer with the session?|
|Do I get an engineer with the session?|
|Do I get musicians included in the session? Can you find some for me?|
|How should I prepare for the studio session?|
|How should we load in our gear when we get there? Is our gear safe at your studio?|
|Is a thumb drive/memory stick a good idea to have for studio sessions?|
Latest Forum Posts
The atmosphere exerts pressure on all objects in it. When a vibrating body moves in air, it creates slight disturbances of the AMBIENT atmospheric pressure. The AMPLITUDE of these pressure variations is called the sound pressure variation, whereas the effective pressure variation is 0.707 the maximum value. The oscillating variations in sound pressure (called the WAVEFORM of the sound) PROPAGATE in the form of a SOUND WAVE.
A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.
The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.
Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.