Session Questions


Are drinks and food included with a session?
Do I get a producer for the session?
Do I get a runner/helper with the session?
Do I get an assistant engineer as well as an engineer with the session?
Do I get an engineer with the session?
Do I get musicians included in the session? Can you find some for me?
How should I prepare for the studio session?
How should we load in our gear when we get there? Is our gear safe at your studio?
Is a thumb drive/memory stick a good idea to have for studio sessions?

Are drinks and food included with a session?

Do I get a producer for the session?

Do I get a runner/helper with the session?

Do I get an assistant engineer as well as an engineer with the session?

Do I get an engineer with the session?

Do I get musicians included in the session? Can you find some for me?

How should I prepare for the studio session?

How should we load in our gear when we get there? Is our gear safe at your studio?

Is a thumb drive/memory stick a good idea to have for studio sessions?

FREQUENCY: The rate of repetition of the CYCLEs of a PERIODIC quantity, such as a SOUND WAVE. Thus, frequency is the inverse of the PERIOD. More generally, frequency can be thought of as the rate of change of PHASE.
AUDIO FREQUENCY: Any FREQUENCY in the audible RANGE, usually between 20 and 20,000 Hz, and often referring to the frequency of AUDIO signals. Also called the audio spectrum.
PAN: A term used in broadcasting and recording to indicate a spatial movement of a SIGNAL. A sound is panned when it is moved smoothly from one location (e.g. LOUDSPEAKER or CHANNEL) to another. This is accomplished by using various ATTENUATORs or POTENTIOMETERs, sometimes combined into a single unit called a pan-pot or panoramic divider in order to control the AMPLITUDE of the signal in each channel.
SOUNDWALK: A form of active participation in the SOUNDSCAPE. Though the variations are many, the essential purpose of the soundwalk is to encourage the participant to listen discriminatively, and moreover, to make critical judgments about the sounds heard and their contribution to the balance or imbalance of the sonic environment.

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