|Are drinks and food included with a session?|
|Do I get a producer for the session?|
|Do I get a runner/helper with the session?|
|Do I get an assistant engineer as well as an engineer with the session?|
|Do I get an engineer with the session?|
|Do I get musicians included in the session? Can you find some for me?|
|How should I prepare for the studio session?|
|How should we load in our gear when we get there? Is our gear safe at your studio?|
|Is a thumb drive/memory stick a good idea to have for studio sessions?|
Latest Forum Posts
The psychological measure of the magnitude of a SOUND or SOUND OBJECT including its SPECTRUM (frequency and intensity), harmonic content, duration and spatial properties.
The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.
Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.
Also called flanging or flangeing. An effect created by adding together two identical SIGNALs separated by a very short time delay (less than 25 ms, but strongest below 10 ms). These short delays are within the audio WAVELENGTH range, and the combination of the two signals affects the frequency SPECTRUM of the composite sound.