|Are drinks and food included with a session?|
|Do I get a producer for the session?|
|Do I get a runner/helper with the session?|
|Do I get an assistant engineer as well as an engineer with the session?|
|Do I get an engineer with the session?|
|Do I get musicians included in the session? Can you find some for me?|
|How should I prepare for the studio session?|
|How should we load in our gear when we get there? Is our gear safe at your studio?|
|Is a thumb drive/memory stick a good idea to have for studio sessions?|
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(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
The adjustment of the FREQUENCY of strings or pipes of musical instruments to conform to a given SCALE, or the adjustment of other instruments to such a tuned instrument.
Reverberation is a result of multiple REFLECTIONs. A SOUND WAVE in an enclosed or semi-enclosed environment will be broken up as it is bounced back and forth among the reflecting surfaces. Reverberation is, in effect, a multiplicity of ECHOes whose speed of repetition is too quick for them to be perceived as separate from one another. W.C. Sabine established the official period of reverberation as the time required by a sound in a space to decrease to one-millionth of its original strength.
For any PERIODIC wave the wavelength is the distance from a given point in the wave to the corresponding point in the next cycle of the wave, frequently represented by the Greek letter lambda. It may also be thought of as the distance the sound travels in one CYCLE or PERIOD.