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When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.
(Greek: stereos = solid; phone = sound) Generally, a term used to refer to the spatial distribution of sound, normally using AUDIO technology. More specifically, a form of reproduction which records, transmits and reproduces the original sound with two CHANNELs, regardless of the number of loudspeakers used. Also abbreviated to stereo.
A garden, and by analogy, any place of acoustic delights. This may be a natural soundscape, or one created according to the methods of SOUNDSCAPE DESIGN. The soniferous garden may also include as one of its principal attractions a Temple of Silence for meditation.
(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.