Sorry, nothing listed in our inventory is for sale. We own and use it for a reason. If we do end up getting rid of something, it is probably because it has cursed us too many times, so you wouldn't want it anyway.
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The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.
The stage that a particle in vibration has reached in its CYCLE. Particles are in phase when they are at the same stage in the cycle at the same time, and out of phase when they are at opposite stages. Phase is measured by the angle of rotation, in degrees or radians.
(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
(Greek: monos = one; phone = sound) A form of reproduction which records, transmits and reproduces the original sound along a single CHANNEL, regardless of the number of loudspeakers used. All components of the sound are combined or MIXed into one SIGNAL, including AMBIENCE and REVERBERATION, and therefore only the sense of depth may be simulated or reproduced.