|Do I have to pay extra fees to use the studio instruments and gear?|
|I notice you have a "specific piece of gear". How much can I buy it for?|
|What instruments/musical gear do you have for use?|
|Why don't you have "a specific piece of gear?" Everybody else does!!|
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Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.
The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.
(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
The device, successor to the MAGNETIC WIRE recorder, which since the 1940s (when it was called the sound mirror) has been the most commonly used means of storing and reproducing an AUDIO signal.