|Are there any animals or plants inside the studio? I'm allergic to everything.|
|Are there any restaurants or stores near the studio?|
|Can I smoke in the studio? How about the bathroom?|
|Do I get a producer for the session?|
|Do you have a shower/bath?|
|I'm a student and would like some work experience as an intern at your studio. Do you have any openings right now?|
|I'm an audio engineer/producer. Do you have any jobs available at the studio?|
|Is there a public transit stop nearby?|
|What days and hours are you open?|
|What is the street address of the studio?|
|What styles of music has Fader Master Sound Studios recorded, produced or mixed before?|
|Why dont you have more questions in the F.A.Q.'s?|
Latest Forum Posts
The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.
A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.
The use of reflected SOUND WAVEs for obtaining environmental information. Certain animals, such as the bat and the porpoise, emit pulses of extremely high frequency sound (up to 50 kHz for bats, and up to 170 kHz for porpoises and whales) in narrow, intense streams. The REFLECTION, or ECHO, of these sounds supplies information regarding the nature and location of objects in the environment. When an emission of varying frequency is used, such as with bats, the echoes, travelling varying distances to the ear, are heard as different frequencies in each ear, thus supplying directional information.
In music, an adjective referring to HARMONY and its principles. In ACOUSTICS, when a vibrating object, such as a string, is set in motion, it vibrates both as a whole, with a FREQUENCY called the FUNDAMENTAL, and, with lesser intensity, in sections as well. If these smaller lengths are integer fractions (1/2, 1/3, 1/4, ...) of the total length of the string, their frequencies of OSCILLATION are called harmonics, and are integer multiples of the fundamental.