|Are there any animals or plants inside the studio? I'm allergic to everything.|
|Are there any restaurants or stores near the studio?|
|Can I smoke in the studio? How about the bathroom?|
|Do I get a producer for the session?|
|Do you have a shower/bath?|
|I'm a student and would like some work experience as an intern at your studio. Do you have any openings right now?|
|I'm an audio engineer/producer. Do you have any jobs available at the studio?|
|Is there a public transit stop nearby?|
|What days and hours are you open?|
|What is the street address of the studio?|
|What styles of music has Fader Master Sound Studios recorded, produced or mixed before?|
|Why dont you have more questions in the F.A.Q.'s?|
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(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.
Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.
If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.
The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.