Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Daniel Byrne
Studio Partner, Producer, Engineer

Contact
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E-mail: This e-mail address is being protected from spambots. You need JavaScript enabled to view it.
Telephone: (604) 628-7750
Fax: (604) 357-3474
Mobile Phone Number: (604) 783-5349
http://www.okdaniel.com

 













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PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

FUNDAMENTAL

If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.

VOLUME

The psychological measure of the magnitude of a SOUND or SOUND OBJECT including its SPECTRUM (frequency and intensity), harmonic content, duration and spatial properties.

PERFECT PITCH

The ability to judge PITCH absolutely, without reference to another pitch or frequency. Also called absolute pitch. Perfect pitch appears to be an innate ability of some individuals, whereas related skills, such as remembered pitch or relative pitch which use other pitches as references, can be learned through musical practice.

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