FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Daniel Byrne
Studio Partner, Producer, Engineer

Contact
Address:


E-mail: This e-mail address is being protected from spambots. You need JavaScript enabled to view it.
Telephone: (604) 628-7750
Fax: (604) 357-3474
Mobile Phone Number: (604) 783-5349
http://www.okdaniel.com

 













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RESONANCE

When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.

PERFECT PITCH

The ability to judge PITCH absolutely, without reference to another pitch or frequency. Also called absolute pitch. Perfect pitch appears to be an innate ability of some individuals, whereas related skills, such as remembered pitch or relative pitch which use other pitches as references, can be learned through musical practice.

HARMONIC

In music, an adjective referring to HARMONY and its principles. In ACOUSTICS, when a vibrating object, such as a string, is set in motion, it vibrates both as a whole, with a FREQUENCY called the FUNDAMENTAL, and, with lesser intensity, in sections as well. If these smaller lengths are integer fractions (1/2, 1/3, 1/4, ...) of the total length of the string, their frequencies of OSCILLATION are called harmonics, and are integer multiples of the fundamental.

SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

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