Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Daniel Byrne

Studio Partner - Sound Construction | Deconstruction | Reconstruction

Hello, hello.

I'm Daniel Byrne. Some people know me as OKDANIEL. I'm a mix/recording engineer, music producer and sound designer. I've been having a great time with sounds for some time now. I love what I do and hope that you love me too.

I've worked very hard at audio and with music for more than 15 years.

I am married to sound, so give me more!

I come with papers (Vaccination certificates availbale upon request):

Queens/SFU - B.A.Sc (Film/Electroacoustic Communications)

The Trebas Institute of Tecdhnology - Audio Engineering Diploma


I have a website that's never going to be finished (or really started): http://www.okdaniel.com


Please wait while I find a bunch of time and fill this page with good things........

       Random Releases:

Various - Critical Bandwidth Panurge - Erectangle Panurge - Throw Down The Reins Panurge - Walking In The Fog Goodbye Beatdown - WHATCHAGWANDO EP Dj Revise - Palettes To Burn


Random Sounds:


Artist: djrevise
Release: Palettes to Burn
Track: Without A Trace Ft: Adaline

Panurge - Walking In The Fog Artist: Panurge
Release: Walking In The Fog
Track: Smile All The While



 

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EAR CLEANING

Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.

DYNAMIC RANGE

The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.

ELECTROACOUSTIC

An adjective describing any process involving the transfer of a SIGNAL from acoustic to electrical form, or vice versa. Most commonly, TRANSDUCERs such as the MICROPHONE or LOUDSPEAKER are examples of this process.

SONOROUS

Producing or characterized by rich or full sound, as implied by SONORITY or soniferous. Similar, but archaic, terms include: sonorific, sonoriferous, sonification, sonance, sonation.

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