Summer 2014 Deals
28 June 2014
Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Daniel Byrne

Studio Partner - Sound Construction | Deconstruction | Reconstruction

Hello, hello.

I'm Daniel Byrne. Some people know me as OKDANIEL. I'm a mix/recording engineer, music producer and sound designer. I've been having a great time with sounds for some time now. I love what I do and hope that you love me too.

I've worked very hard at audio and with music for more than 15 years.

I am basically married to sound.

I also am an instructor at The Nimbus School 0f Recording Arts, here in Vancouver Canada.



I have a website that's never going to be finished (or really started): http://www.okdaniel.com


Please wait while I find a bunch of time and fill this page with good things........

       Random Releases:

Various - Critical Bandwidth Panurge - Erectangle Panurge - Throw Down The Reins Panurge - Walking In The Fog  Dj Revise - Palettes To Burn

 

Latest Forum Posts

  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

PHASING

Also called flanging or flangeing. An effect created by adding together two identical SIGNALs separated by a very short time delay (less than 25 ms, but strongest below 10 ms). These short delays are within the audio WAVELENGTH range, and the combination of the two signals affects the frequency SPECTRUM of the composite sound.

DYNAMIC RANGE

The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.

RESONANCE

When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.

Latest Podcast