FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Daniel Byrne

Studio Partner - Sound Construction | Deconstruction | Reconstruction

Hello, hello.

I'm Daniel Byrne. Some people know me as OKDANIEL. I'm a mix/recording engineer, music producer and sound designer. I've been having a great time with sounds for some time now. I love what I do and hope that you love me too.

I've worked very hard at audio and with music for more than 15 years.

I am basically married to sound.

I also am an instructor at The Nimbus School 0f Recording Arts, here in Vancouver Canada.



I have a website that's never going to be finished (or really started): http://www.okdaniel.com


Please wait while I find a bunch of time and fill this page with good things........

       Random Releases:

Various - Critical Bandwidth Panurge - Erectangle Panurge - Throw Down The Reins Panurge - Walking In The Fog  Dj Revise - Palettes To Burn

 

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TIMBRE

Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.

AUDIO FREQUENCY

Any FREQUENCY in the audible RANGE, usually between 20 and 20,000 Hz, and often referring to the frequency of AUDIO signals. Also called the audio spectrum.

QUADRAPHONIC

A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.

DYNAMIC RANGE

The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.

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