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|Last Updated on Thursday, 19 April 2012 13:27|
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(Greek: monos = one; phone = sound) A form of reproduction which records, transmits and reproduces the original sound along a single CHANNEL, regardless of the number of loudspeakers used. All components of the sound are combined or MIXed into one SIGNAL, including AMBIENCE and REVERBERATION, and therefore only the sense of depth may be simulated or reproduced.
Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.
A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.
When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.