FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Fader Master Sound Studios Inc.

FADER MASTER VERSION 2.0 IS HERE!

We've totally revamped, reconfigured and changed the look of our control room at Fader Master. A new year, new rates and new sounds are here! Book the studio with an engineer included by the day for only $350 + taxes until further notice. 


HI-RES

WHO WE ARE

More studio owners and engineers under one roof. 

We're part of Fader Mountain Sound Inc., and in one of the best studio facilities in Vancouver.

We believe in what we do as much as you believe in what you do.

It's simple and we love it, and we have a lot of machines that help us do it.


WHAT IT IS

It's a recording studio.

The Control room is where faders are pushed. The Live Room is where sounds are made.

Studio B is huge, studio C is perfect for overdubs. Both rooms give great sound.

Sit in the lounge, watch TV, play XBOX or Playstation, surf the web.

Walk up the street to one of the million restaurants or cafes on Cambie, Broadway or Main Street.

WHAT GOES ON

Anything and everything to do with sound.

It could be music, television, film or secret testing for the government.

All the Fader Masters want to make, capture or shape the sound you want.

WHAT YOU GET

What you came for. We make sure of it. We don't sleep, so the studio never sleeps....

We've been lucky enough to have so many great artists, labels and people come through our doors since 2007.

This is why our space has grown along with our client list since we opened.

Much love to everyone who's shaped their sounds with Fader Master.



 
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BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

SONICS

Although often employed interchangeably with ACOUSTICS, the term might better be restricted to the technology dealing with the practical applications of SOUND, as distinct from the pure science of acoustics. (It will be noted, however, that the contemporary acoustical engineer or acoustician is often mostly involved with the practical applications of sound.)

TONE

A single sound of definite, recognizable PITCH. It also refers to the SONORITY or the quality of TIMBRE of a particular sound or sounding instrument. In British musical usage the word is also employed to refer to the INTERVAL of a major SECOND.

COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

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