Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Fader Master Sound Studios Inc.

HI-RES

WHO WE ARE

More studio owners and engineers under one roof. 

We're part of Fader Mountain Sound Inc., and in one of the best studio facilities in Vancouver.

We believe in what we do as much as you believe in what you do.

It's simple and we love it, and we have a lot of machines that help us do it.


WHAT IT IS

It's a recording studio.

The Control room is where faders are pushed. The Live Room is where sounds are made.

Studio B is huge, studio C is perfect for overdubs. Both rooms give great sound.

Sit in the lounge, watch TV, play XBOX or Playstation, surf the web.

Walk up the street to one of the million restaurants or cafes on Cambie, Broadway or Main Street.

WHAT GOES ON

Anything and everything to do with sound.

It could be music, television, film or secret testing for the government.

All the Fader Masters want to make, capture or shape the sound you want.

WHAT YOU GET

What you came for. We make sure of it. We don't sleep, so the studio never sleeps....

We've been lucky enough to have so many great artists, labels and people come through our doors since 2007.

This is why our space has grown along with our client list since we opened.

Much love to everyone who's shaped their sounds with Fader Master.



 
LATEST TWEETS

 

Latest Forum Posts

  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

FUNDAMENTAL

If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.

PAN

A term used in broadcasting and recording to indicate a spatial movement of a SIGNAL. A sound is panned when it is moved smoothly from one location (e.g. LOUDSPEAKER or CHANNEL) to another. This is accomplished by using various ATTENUATORs or POTENTIOMETERs, sometimes combined into a single unit called a pan-pot or panoramic divider in order to control the AMPLITUDE of the signal in each channel.

SOUNDWALK

A form of active participation in the SOUNDSCAPE. Though the variations are many, the essential purpose of the soundwalk is to encourage the participant to listen discriminatively, and moreover, to make critical judgments about the sounds heard and their contribution to the balance or imbalance of the sonic environment.

Latest Podcast