FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Fader Master Sound Studios Inc.

FADER MASTER VERSION 2.0 IS HERE!

We've totally revamped, reconfigured and changed the look of our control room at Fader Master. A new year, new rates and new sounds are here! Book the studio with an engineer included by the day for only $350 + taxes until further notice. 


HI-RES

WHO WE ARE

More studio owners and engineers under one roof. 

We're part of Fader Mountain Sound Inc., and in one of the best studio facilities in Vancouver.

We believe in what we do as much as you believe in what you do.

It's simple and we love it, and we have a lot of machines that help us do it.


WHAT IT IS

It's a recording studio.

The Control room is where faders are pushed. The Live Room is where sounds are made.

Studio B is huge, studio C is perfect for overdubs. Both rooms give great sound.

Sit in the lounge, watch TV, play XBOX or Playstation, surf the web.

Walk up the street to one of the million restaurants or cafes on Cambie, Broadway or Main Street.

WHAT GOES ON

Anything and everything to do with sound.

It could be music, television, film or secret testing for the government.

All the Fader Masters want to make, capture or shape the sound you want.

WHAT YOU GET

What you came for. We make sure of it. We don't sleep, so the studio never sleeps....

We've been lucky enough to have so many great artists, labels and people come through our doors since 2007.

This is why our space has grown along with our client list since we opened.

Much love to everyone who's shaped their sounds with Fader Master.



 
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SPECTRUM

The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.

BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

HARMONIC

In music, an adjective referring to HARMONY and its principles. In ACOUSTICS, when a vibrating object, such as a string, is set in motion, it vibrates both as a whole, with a FREQUENCY called the FUNDAMENTAL, and, with lesser intensity, in sections as well. If these smaller lengths are integer fractions (1/2, 1/3, 1/4, ...) of the total length of the string, their frequencies of OSCILLATION are called harmonics, and are integer multiples of the fundamental.

PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

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