Summer 2014 Deals
28 June 2014
Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Kevin Kowal

Studio Partner | Mastering | Engineering | Music Production | Music Transcription 

I offer you music production services through the eye of a multi-instrumentalist, performer, composer, historian, educator, engineer and producer. All with versatility and communicative skills to match!

How did this come about?

Twelve years of private, Royal Conservatory piano instruction commencing at the age of five, followed by additional lessons for harmony, history, form and counterpoint in my early teens.  Right after high school I received a diploma in piano performance from the Royal Conservatory.  I've played the entire musical score of Leonard Bernstein’s musical West Side Story myself in high school and won an award for it.

At the University of Manitoba, I studied with the eminent Canadian pianist, Marek Jablonski.  He handed down the most important aspects of performance and musical understanding that go back to his time of studying with Rosina Lhevinne at New York’s Julliard School of Music. She was considered one of the greatest music teachers of the 20th century. I also went to Toronto and studied with the head of the Paris Conservatoire piano department: Pierre Souverain.  He was the last pupil to study with the legendary French pianist; Alfred Corte. Pierre grew up listening to the sounds of Igor Stravinsky improvising on the piano when he came to visit his parents.

Modern Orchestration, advanced structural analysis, traditional and 20th century compositional techniques are just as much a part of who I am in addition to my classical training.

Later on, I became fascinated with audio engineering and production, and thought that with my extensive musical background, I could become a force to be reckoned with!

I graduated from a recording school Summa Com Laude and have never looked back.

I am proud to be listed in the Encyclopedia of Music in Canada.

All along the way, I have been learning new instruments, so I am a multi-instrumentalist. I perform in recording sessions with piano, keyboards, synthesizers, mandolin, electric bass, classical acoustic and electric guitar. I have recently mastered Flamenco guitar and am moving on to East Indian instruments. Because of my immense training and experience, I am able to quickly learn different styles of music and communicate effectively with my clients.

I also pride myself on being ahead of the game, not only musically, but with cutting-edge technology also. I was one of the first to use many of the software programs that we use in the studio now, as I foresaw they would become the industry standards that they are today.

What it comes down to is this: Whether you want something to be performed, composed, recorded, produced, mixed or mastered, and no matter the style of music it is, I will approach it and bring the best out of you and your music with a profoundly deep understanding, focused skill and musical appreciation that you will only find at FaderMaster Studios!


Educational Highlights:
_______________________________________________________

Music Production Program (Summa Cum Laude)
Trebas Institute - 1994

Bachelor of Music
University of Manitoba - 1979
(Studied with the eminent Canadian pianist Marek Jablonski)

Artist Diploma, Piano (1st year)
University of Toronto - 1978
(Studied with the head of the piano department of the Conservatoire de France Pierre Souverain)

A.R.T.C. Diploma, Piano
Royal Conservatory of Music - 1976

_______________________________________________________

I currently teach at:

Langara College
Stylus College of Music and Sound Technology

_______________________________________________________



ELECTRONIC MUSIC MASTERING EXAMPLE

module TWEETS KEVIN}

 

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PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

SOUND PRESSURE

The atmosphere exerts pressure on all objects in it. When a vibrating body moves in air, it creates slight disturbances of the AMBIENT atmospheric pressure. The AMPLITUDE of these pressure variations is called the sound pressure variation, whereas the effective pressure variation is 0.707 the maximum value. The oscillating variations in sound pressure (called the WAVEFORM of the sound) PROPAGATE in the form of a SOUND WAVE.

TIMBRE

Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.

QUADRAPHONIC

A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.

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