Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
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If you are making a studio payment online, you should have already received an invoice from the studio, or you may already know the exact amount you are paying, or you are making an advance booking deposit.

If you are unsure of the amount you should be paying, please contact us at:
+1 (604) 628-2055
to confirm the total before making a payment.

If you have online banking in Canada, you may also use your bank's E-Mail Money Transfer feature and direct your payment to: This e-mail address is being protected from spambots. You need JavaScript enabled to view it .
E-mail money transfers are preferred and are faster when clearing funds.

Please note that the payment amount on your invoice from us should already include +12% HST if applicable.

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PSYCHOACOUSTICS

The study of the relationship between physical SOUNDs and the brain's interpretation of them. Until recently, psychoacoustics has devoted more attention to the behaviour of the peripheral auditory system than to the details of cognitive processing.

STEREOPHONIC

(Greek: stereos = solid; phone = sound) Generally, a term used to refer to the spatial distribution of sound, normally using AUDIO technology. More specifically, a form of reproduction which records, transmits and reproduces the original sound with two CHANNELs, regardless of the number of loudspeakers used. Also abbreviated to stereo.

SOUND

Any VIBRATION in the air or other medium, some types of which are able to cause a sensation of hearing.

BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

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