Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Mark Angly

Studio Assistant | Engineering

Bio Pic

Mark has been obsessed with music since the age of 5, when he was disciplined for interrupting his kindergarten class by singing Elton John. After some emotional recovery, he directed this musical energy into ten years' choral singing (with some rocking out thrown in for good measure), and a voracious appetite for music. Since then, he's honed his craft and trade as a Producer and Recording Engineer at the Nimbus school of Recording Arts.

Mark currently lives in front of a pair of studio monitors, and loves every minute of it. He always welcomes new clients for recording (and editing!), mixing, production, or all three.

"In the beginning there was nothing, which exploded."
-Terry Pratchett


Discographical  Highlights


Coming Soon!

Recent Sounds
alt Artist: Coastline Pilot
Release: Coastline Pilot - EP
Track: Brothers
Artist: The Fury
Release: The Fury - Demos
Track: Believe


 

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SOUNDWALK

A form of active participation in the SOUNDSCAPE. Though the variations are many, the essential purpose of the soundwalk is to encourage the participant to listen discriminatively, and moreover, to make critical judgments about the sounds heard and their contribution to the balance or imbalance of the sonic environment.

SONOROUS

Producing or characterized by rich or full sound, as implied by SONORITY or soniferous. Similar, but archaic, terms include: sonorific, sonoriferous, sonification, sonance, sonation.

PHASING

Also called flanging or flangeing. An effect created by adding together two identical SIGNALs separated by a very short time delay (less than 25 ms, but strongest below 10 ms). These short delays are within the audio WAVELENGTH range, and the combination of the two signals affects the frequency SPECTRUM of the composite sound.

SYMPATHETIC VIBRATION

An OSCILLATION produced in an object which resonates at the same FREQUENCY, or a HARMONIC multiple thereof, as that present in a sound wave in contact with the object.

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