Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Mark Angly

Studio Assistant | Engineering

Bio Pic

Mark has been obsessed with music since the age of 5, when he was disciplined for interrupting his kindergarten class by singing Elton John. After some emotional recovery, he directed this musical energy into ten years' choral singing (with some rocking out thrown in for good measure), and a voracious appetite for music. Since then, he's honed his craft and trade as a Producer and Recording Engineer at the Nimbus school of Recording Arts.

Mark currently lives in front of a pair of studio monitors, and loves every minute of it. He always welcomes new clients for recording (and editing!), mixing, production, or all three.

"In the beginning there was nothing, which exploded."
-Terry Pratchett


Discographical  Highlights


Coming Soon!

Recent Sounds
alt Artist: Coastline Pilot
Release: Coastline Pilot - EP
Track: Brothers
Artist: The Fury
Release: The Fury - Demos
Track: Believe


 

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HARMONIC

In music, an adjective referring to HARMONY and its principles. In ACOUSTICS, when a vibrating object, such as a string, is set in motion, it vibrates both as a whole, with a FREQUENCY called the FUNDAMENTAL, and, with lesser intensity, in sections as well. If these smaller lengths are integer fractions (1/2, 1/3, 1/4, ...) of the total length of the string, their frequencies of OSCILLATION are called harmonics, and are integer multiples of the fundamental.

BEATS

If two TONEs are about 15 Hertz or less apart, INTERFERENCE will result from their similar though not exactly identical frequencies. Gradually they will move out of PHASE until at 180° destructive interference results, producing diminished loudness. When they move back into phase, constructive interference will produce increased loudness. Thus, beats are a form of AMPLITUDE MODULATION. As two frequencies are brought closer together, the beats will gradually slow down and disappear when they become identical.

PSYCHOACOUSTICS

The study of the relationship between physical SOUNDs and the brain's interpretation of them. Until recently, psychoacoustics has devoted more attention to the behaviour of the peripheral auditory system than to the details of cognitive processing.

EAR CLEANING

Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.

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