Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Music From The Studio Archives
NEW MUSIC FROM THE STUDIO - SEPTEMBER 2010
Friends With Benefits : Friends With Benefits Artist: Friends With Benefits
Release: Alphabetical Order EP
Track: This Whole Town
The Strange Magic : The Strange Magic Artist: The Strange Magic
Release:  The Strange Magic
Track:  Empty Promises

 
NEW MUSIC FROM THE STUDIO - AUGUST 2010
Jerm 9ine : Jerm 9ine Artist: Jerm 9ine
Release: Jerm 9ine
Track: Jerm Warfare II
Nat Jay : Nat Jay Artist: Nat Jay
Release: Nat Jay
Track: Heartbreak World

 
NEW MUSIC FROM THE STUDIO - JULY 2010
Crybaby : Crybaby Artist: Crybaby
Release: Crybaby
Track: New Years Day
The Mudsharks : The Mudsharks Artist: The Mudsharks
Release: The Mudsharks
Track: Quarry Rock
I Came Back For You : I Came Back For You
Artist: I Came Back For You
Release: Hey Kid
Track: Hey Kid
alt Artist: David James Graham
Release: You Are Everything And Now It's Mine
Track:  Backwards

 
NEW MUSIC FROM THE STUDIO - JUNE 2010
Myriam Parent : Myriam Parent Artist: Myriam Parent
Release: Myriam Parent
Track: Le Mouton Noir
Dominique Fricot : Dominique Fricot Artist: Dominique Fricot
Release: Dominique Fricot
Track: Don't Forget Me
DJ Revise : DJ Revise
Artist: DJ Revise
Release: Palettes to Burn
Track: Without a Trace ft. Adaline (Max Ulis Without Mix)
Clockmaker : Clockmaker Artist: Clockmakers
Release: Clockmakers EP
Track:  These Grey Buildings

 
NEW MUSIC FROM THE STUDIO - MAY 2010
Roche Limit : Roche Limit Artist: Roche Limit
Release: Zombie
Track: Zombie
The Strange Magic : The Strange Magic Artist: The Strange Magic
Release: Strange Magic
Track: Cheese Tastes Good
Lakefield : Sounds From The Treeline Artist: Lakefield
Release: Sounds From The Treeline
Track: On The Radio

 
NEW MUSIC FROM THE STUDIO - APRIL 2010
Bodhi Jones : Bodhi Jones Artist: Bodhi Jones
Release: Bodhi Jones
Track: Work The Night Shift
Shera Kelly : Shera Kelly Artist: Shera Kelly
Release: Shera Kelly
Track: Lumberman's Arch

 
NEW MUSIC FROM THE STUDIO - MARCH 2010
Yukon Blonde : Yukon Blonde Artist: Yukon Blonde
Release: Yukon Blonde
Track: Loyal Man
Jordan Klassen : St. Brigid Artist: Jordan Klassen
Release: St. Brigid
Track: Written On Your Collarbone
Eeek! : Eeek!
Artist: Eeek!
Release: Eeek!
Track: Sassafrance
alt Artist: Cairo
Release: Cairo
Track: Cogs

 
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COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

ECHOLOCATION

The use of reflected SOUND WAVEs for obtaining environmental information. Certain animals, such as the bat and the porpoise, emit pulses of extremely high frequency sound (up to 50 kHz for bats, and up to 170 kHz for porpoises and whales) in narrow, intense streams. The REFLECTION, or ECHO, of these sounds supplies information regarding the nature and location of objects in the environment. When an emission of varying frequency is used, such as with bats, the echoes, travelling varying distances to the ear, are heard as different frequencies in each ear, thus supplying directional information.

PITCH

The subjective impression of FREQUENCY, in the same sense that LOUDNESS is the subjective sense of the INTENSITY or AMPLITUDE of a sound. As such, pitch is a psychoacoustic variable, and the degree of sensitivity shown to it varies widely with people. Some individuals have a sense of remembered pitch, that is, a pitch once heard can be remembered and compared to others for some length of time; others have a sense of absolute pitch called PERFECT PITCH.

FUNDAMENTAL

If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.

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