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Also called flanging or flangeing. An effect created by adding together two identical SIGNALs separated by a very short time delay (less than 25 ms, but strongest below 10 ms). These short delays are within the audio WAVELENGTH range, and the combination of the two signals affects the frequency SPECTRUM of the composite sound.
The tonal QUALITY or TIMBRE of a sound. The term is usually used in a subjective, descriptive manner, often with such adjectives as 'full' or 'rich'.
The stage that a particle in vibration has reached in its CYCLE. Particles are in phase when they are at the same stage in the cycle at the same time, and out of phase when they are at opposite stages. Phase is measured by the angle of rotation, in degrees or radians.
A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.