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A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.
(Greek: monos = one; phone = sound) A form of reproduction which records, transmits and reproduces the original sound along a single CHANNEL, regardless of the number of loudspeakers used. All components of the sound are combined or MIXed into one SIGNAL, including AMBIENCE and REVERBERATION, and therefore only the sense of depth may be simulated or reproduced.
When a system with a natural vibrating FREQUENCY is stimulated by an outside force of the same frequency, the system can be set in a motion called VIBRATION. As the frequency of the stimulus closely approaches that of the system, OSCILLATION occurs, which reaches a maximum AMPLITUDE at the natural resonant frequency.
(German: artificial head). A STEREOPHONIC recording system developed in Germany which employs an artificial head sitting on a resonator similar to a chest cavity. The recording MICROPHONEs are situated within the head, inside an anatomically correct ear canal, at the point where the human eardrum is located. Artificial PINNAE are carefully designed for accurate reflection of the incoming sound in order to achieve the good front-back and height-depth perspective for which the technique is noted.