Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
New Podcasts - Busy Times
Tuesday, 01 February 2011 00:00



Elias has been hard at work shooting tons of footage for our studio podcasts. His first, and our 5th was released recently in January and we hope to see more very soon. His fisheye, head-mounted HD cam is supercool, so expect to see in HD-fisheye glory.

We have to note that this is our busiest winter ever, and we're feeling good with all these bookings that never seem to stop! We've pretty much maxed out our night bookings and FaderMaster has been running 24/7 for the past month straight. Looks like we have been doing something right because ever year we seem to be busier, and everyone's smiles get a little bigger. Fantastic! Check out our client list as it just keeps growing!

We'll be welcoming some new studio interns this month, so expect to see some new faces up on the site and in the studio really soon. We're planning on a fresh face for each day of the week at FaderMaster.

Until next time......



 

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MAGNETIC TAPE

The most commonly used medium for recording sound. It is manufactured in various widths (1/4, 1/2 and one inch primarily) and thicknesses (3.0, 1.5, 1 and .5 mil where 1 mil = 1/1000 inch) for different purposes, which now include video and digital recording.

TAPE RECORDER

The device, successor to the MAGNETIC WIRE recorder, which since the 1940s (when it was called the sound mirror) has been the most commonly used means of storing and reproducing an AUDIO signal.

REVERBERATION

Reverberation is a result of multiple REFLECTIONs. A SOUND WAVE in an enclosed or semi-enclosed environment will be broken up as it is bounced back and forth among the reflecting surfaces. Reverberation is, in effect, a multiplicity of ECHOes whose speed of repetition is too quick for them to be perceived as separate from one another. W.C. Sabine established the official period of reverberation as the time required by a sound in a space to decrease to one-millionth of its original strength.

FUNDAMENTAL

If a sound is a complex of many TONEs of various FREQUENCY, AMPLITUDE and PHASE, repeating together in a basic CYCLE of definite frequency, the fundamental is the lowest frequency of this complex and corresponds to the unique PITCH heard in such a COMPLEX TONE.

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