Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Paul Boechler

Studio Partner | Engineering | Mixing | Production

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Once upon a time, there was a young boy who fell in love with music, and found sounds and audio incredibly interesting. He used to dream about recording bands all day long and making music.

So one day, he set out to find a place where he could learn all he could about audio and, work with bands that he loved.

He walked for many days and nights and eventually stumbled across a bear.
The boy talked with the bear for a while, and eventually the bear took notice of the boy's love of sound.

So, the bear brought the young boy back to his home and introduced him to his friends.

The boy learned all about sounds and audio from them, and now spends his days recording bands and making music.


So that about brings us up to date....
I've been working at FaderMaster since it's been open and have had the pleasure of working with a lot of the bands who have come through its doors. 


Feel free to give me a shout, if there's anything I can do for you, or if you just want to chat about sounds.





Discographical  Highlights
Treelines - Self-titled
Kingdom Cloud - Jubilee If We Are Machines - Crafty Things to Make Pretty Things to Burn Later alt Katelyn Steinwand - Eyes To See alt
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Sex With Strangers - BehavioursSunny Pompeii - Professional Day




Recent Sounds

Artist: 41st and Home
Release: Raised By Wolves
Track: Hummingbird

Artist: Black Wizard
Release: Mountain Bitch 7"
Track: Jesus
Artist: Treelines
Release: When I Get Grown
Track: When I Get Grown
Artist: Sunny Pompeii
Release: Who Knows Best
Track: Who Knows Best

 

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SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

QUADRAPHONIC

A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.

HARMONIC

In music, an adjective referring to HARMONY and its principles. In ACOUSTICS, when a vibrating object, such as a string, is set in motion, it vibrates both as a whole, with a FREQUENCY called the FUNDAMENTAL, and, with lesser intensity, in sections as well. If these smaller lengths are integer fractions (1/2, 1/3, 1/4, ...) of the total length of the string, their frequencies of OSCILLATION are called harmonics, and are integer multiples of the fundamental.

REVERBERATION

Reverberation is a result of multiple REFLECTIONs. A SOUND WAVE in an enclosed or semi-enclosed environment will be broken up as it is bounced back and forth among the reflecting surfaces. Reverberation is, in effect, a multiplicity of ECHOes whose speed of repetition is too quick for them to be perceived as separate from one another. W.C. Sabine established the official period of reverberation as the time required by a sound in a space to decrease to one-millionth of its original strength.

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