Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Paul Boechler

Studio Partner | Engineering | Mixing | Production

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Once upon a time, there was a young boy who fell in love with music, and found sounds and audio incredibly interesting. He used to dream about recording bands all day long and making music.

So one day, he set out to find a place where he could learn all he could about audio and, work with bands that he loved.

He walked for many days and nights and eventually stumbled across a bear.
The boy talked with the bear for a while, and eventually the bear took notice of the boy's love of sound.

So, the bear brought the young boy back to his home and introduced him to his friends.

The boy learned all about sounds and audio from them, and now spends his days recording bands and making music.


So that about brings us up to date....
I've been working at FaderMaster since it's been open and have had the pleasure of working with a lot of the bands who have come through its doors. 


Feel free to give me a shout, if there's anything I can do for you, or if you just want to chat about sounds.





Discographical  Highlights
Treelines - Self-titled
Kingdom Cloud - Jubilee If We Are Machines - Crafty Things to Make Pretty Things to Burn Later alt Katelyn Steinwand - Eyes To See alt
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Sex With Strangers - BehavioursSunny Pompeii - Professional Day




Recent Sounds

Artist: 41st and Home
Release: Raised By Wolves
Track: Hummingbird

Artist: Black Wizard
Release: Mountain Bitch 7"
Track: Jesus
Artist: Treelines
Release: When I Get Grown
Track: When I Get Grown
Artist: Sunny Pompeii
Release: Who Knows Best
Track: Who Knows Best

 

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TUNING

The adjustment of the FREQUENCY of strings or pipes of musical instruments to conform to a given SCALE, or the adjustment of other instruments to such a tuned instrument.

SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

VOLUME

The psychological measure of the magnitude of a SOUND or SOUND OBJECT including its SPECTRUM (frequency and intensity), harmonic content, duration and spatial properties.

COMPLEX TONE

A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.

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