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Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

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QUADRAPHONIC

A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.

ECHOLOCATION

The use of reflected SOUND WAVEs for obtaining environmental information. Certain animals, such as the bat and the porpoise, emit pulses of extremely high frequency sound (up to 50 kHz for bats, and up to 170 kHz for porpoises and whales) in narrow, intense streams. The REFLECTION, or ECHO, of these sounds supplies information regarding the nature and location of objects in the environment. When an emission of varying frequency is used, such as with bats, the echoes, travelling varying distances to the ear, are heard as different frequencies in each ear, thus supplying directional information.

SONICS

Although often employed interchangeably with ACOUSTICS, the term might better be restricted to the technology dealing with the practical applications of SOUND, as distinct from the pure science of acoustics. (It will be noted, however, that the contemporary acoustical engineer or acoustician is often mostly involved with the practical applications of sound.)

PSYCHOACOUSTICS

The study of the relationship between physical SOUNDs and the brain's interpretation of them. Until recently, psychoacoustics has devoted more attention to the behaviour of the peripheral auditory system than to the details of cognitive processing.

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