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Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

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DYNAMIC RANGE

The difference in SOUND PRESSURE LEVEL between the saturation or overload level and the BACKGROUND NOISE level of an acoustic or electroacoustic system, measured in DECIBELs. This RANGE may be expressed as a SIGNAL-TO-NOISE RATIO for maximum output.

TIMBRE

Timbre or tone QUALITY is determined by the behaviour in time of the FREQUENCY content or SPECTRUM of a sound, including its TRANSIENTs which are extremely important for the identification of timbre.

REVERBERATION

Reverberation is a result of multiple REFLECTIONs. A SOUND WAVE in an enclosed or semi-enclosed environment will be broken up as it is bounced back and forth among the reflecting surfaces. Reverberation is, in effect, a multiplicity of ECHOes whose speed of repetition is too quick for them to be perceived as separate from one another. W.C. Sabine established the official period of reverberation as the time required by a sound in a space to decrease to one-millionth of its original strength.

PHASING

Also called flanging or flangeing. An effect created by adding together two identical SIGNALs separated by a very short time delay (less than 25 ms, but strongest below 10 ms). These short delays are within the audio WAVELENGTH range, and the combination of the two signals affects the frequency SPECTRUM of the composite sound.

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