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Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

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OSCILLATION

Any quantity or body is in a state of oscillation when its value or motion is continually changing so that it passes through maximum and minimum values or positions. When a system, body or quantity is set in PERIODIC motion or vibration, it is said to be in oscillation.

MUSIQUE CONCRÈTE

(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.

REVERBERATION

Reverberation is a result of multiple REFLECTIONs. A SOUND WAVE in an enclosed or semi-enclosed environment will be broken up as it is bounced back and forth among the reflecting surfaces. Reverberation is, in effect, a multiplicity of ECHOes whose speed of repetition is too quick for them to be perceived as separate from one another. W.C. Sabine established the official period of reverberation as the time required by a sound in a space to decrease to one-millionth of its original strength.

TAPE LOOP

A segment or sequence of segments of MAGNETIC TAPE which have been SPLICEd end-to-end to form a loop or circle. When played in this form, the taped sound is continuously repeated, as distinct from tape ECHO or tape FEEDBACK.

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