Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

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SCALE

An ordering of a system of PITCHes, usually in ascending FREQUENCY order. The distance between any two pitches or NOTEs is called an interval.

TUNING

The adjustment of the FREQUENCY of strings or pipes of musical instruments to conform to a given SCALE, or the adjustment of other instruments to such a tuned instrument.

BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

QUADRAPHONIC

A form of STEREOPHONIC or multi-channel reproduction in which the sound source is spread around the listener by the use of four tracks or CHANNELs in recording or transmission and the use of four (or more) LOUDSPEAKERs. Conventional music or speech may be recorded in this way, in which case the speakers behind the listener add REVERBERATION to the original sound or are simply out of PHASE with respect to the front ones; or new works may be composed in which all tracks carry original material.

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