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28 June 2014
Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

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MONOPHONIC

(Greek: monos = one; phone = sound) A form of reproduction which records, transmits and reproduces the original sound along a single CHANNEL, regardless of the number of loudspeakers used. All components of the sound are combined or MIXed into one SIGNAL, including AMBIENCE and REVERBERATION, and therefore only the sense of depth may be simulated or reproduced.

VOLUME

The psychological measure of the magnitude of a SOUND or SOUND OBJECT including its SPECTRUM (frequency and intensity), harmonic content, duration and spatial properties.

BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

FREQUENCY

The rate of repetition of the CYCLEs of a PERIODIC quantity, such as a SOUND WAVE. Thus, frequency is the inverse of the PERIOD. More generally, frequency can be thought of as the rate of change of PHASE.

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