FM v 2.0
12 July 2015
Fader Master v2.0 Has Landed Book your studio sessions effective immediately to celebrate! From now until further notice, full 12hr day sessions are only $250 + taxes including an engineer. No restrictions on booking quantity, no hidden fees. Let's celebrate the new setup! Email or call us today.
Radar Arrives | Cubase 5
Friday, 30 October 2009 00:00



We're quite excited, because Jordan Koop's Classic Radar 24 (made by iZ) will be installed and fully operational this week. We'll be doing our best to install it on November 3rd 2009, after which the option to record with the Radar system will be a reality. Using the Radar's outstanding AD/DA converters will be a real treat for everyone, especially the engineers! It will be fully integrated as a huge 24-channel converter with our favorite D.A.W. applications like Pro Tools and Cubase, or any other piece of software for that matter.

Another noteworthy mention is our upgrade to Steinberg's Cubase 5. We've been running Cubase 4 since we opened, along with Steinberg's Wavelab 6, but now that that Cubase 5 has gone stable, we decided to jump the 4.x ship and begin working in Cubase 5. It's going to sound better, work faster and look prettier!


 

Latest Forum Posts

  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
  • Latest Photos
SONOROUS

Producing or characterized by rich or full sound, as implied by SONORITY or soniferous. Similar, but archaic, terms include: sonorific, sonoriferous, sonification, sonance, sonation.

COMPRESSION

The control of sound levels to ensure suitable placement between the lowest and highest distortion-free levels of an electroacoustical system.

PERFECT PITCH

The ability to judge PITCH absolutely, without reference to another pitch or frequency. Also called absolute pitch. Perfect pitch appears to be an innate ability of some individuals, whereas related skills, such as remembered pitch or relative pitch which use other pitches as references, can be learned through musical practice.

SPECTRUM

The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.

Latest Podcast