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A form of active participation in the SOUNDSCAPE. Though the variations are many, the essential purpose of the soundwalk is to encourage the participant to listen discriminatively, and moreover, to make critical judgments about the sounds heard and their contribution to the balance or imbalance of the sonic environment.
(Greek: stereos = solid; phone = sound) Generally, a term used to refer to the spatial distribution of sound, normally using AUDIO technology. More specifically, a form of reproduction which records, transmits and reproduces the original sound with two CHANNELs, regardless of the number of loudspeakers used. Also abbreviated to stereo.
A single sound of definite, recognizable PITCH. It also refers to the SONORITY or the quality of TIMBRE of a particular sound or sounding instrument. In British musical usage the word is also employed to refer to the INTERVAL of a major SECOND.
Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.