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Any process that encourages a person to listen more discriminately, particularly to sounds of the environment. The term was originally used by R.M. Schafer in his book Ear Cleaning (Toronto, BMI Canada, 1967) to contrast with the traditional practice of ear training in music education which concentrates on the identification and reproduction of intervals, chords, melodies and so on.
For any PERIODIC wave the wavelength is the distance from a given point in the wave to the corresponding point in the next cycle of the wave, frequently represented by the Greek letter lambda. It may also be thought of as the distance the sound travels in one CYCLE or PERIOD.
A garden, and by analogy, any place of acoustic delights. This may be a natural soundscape, or one created according to the methods of SOUNDSCAPE DESIGN. The soniferous garden may also include as one of its principal attractions a Temple of Silence for meditation.
A TONE having more than a single FREQUENCY component. For instance, a tone consisting of a FUNDAMENTAL and OVERTONEs or HARMONICs, may be said to be complex.