Professional Sound Magazine
25 October 2012
The kind folks over at Professional Sound Magazine decided to do a featured article on our new studio venture, Fader Mountain Sound. You can download the article as a PDF here. There's been lots of action in our new place, so check out the article to find out more about what it's all become this year!
Studio Services

Below is a listing of the services we provide at Fader Master Sound Studios. Our studio rates depend on:

  1. What services you require.
  2. How long your project takes.
  3. Who and how many engineers/producers/assistants work on your project.
  4. What time slots you book the studio.

We provide a full service for most projects, from pre-production to mastering. Contact us about your project, and we will be glad to give you an estimate of how much it will cost.

We have been involved with many, many FACTOR grant applications, and offer our full support for any artist/band wishing to apply for a grant to record/produce at our studios.

We also have great connections with BandMerch, who provide a complete manufacturing service (MEDIA DUPLICATION-REPLICATION, PROMOTIONAL MERCHANDISE) at a discount for FaderMaster clients.

Pre-Production/Rehearsal
Production (Independent, Co-Production, Self-Serve)
Recording/Tracking
Mixing, Re-Mixing, Overdubs
Composition
Arrangement


Digital mastering & re-mastering for all types of audio, including music. Our online studio files service makes it easy for anyone, from anywhere to have audio mastered, without having to come to the studio or wait for a hard copy. Just upload your files via our client upload area, and you'll receive your masters back with our web-based media delivery service.


Complete sound design for film, television, multimedia, games, toys, the web & creative sound installations.


Musical Score & Sound Effects/Design (Indie films are welcome)
Mixing
Foley
Editing
Voice-Overs & ADR

Television & Radio Advertising Jingles

We use a fully mobile 24-track digital audio recording system: RADAR 24.

We can record anything you like, including location sound, choirs, bird calls & public/private events/shows.

Bulk or one-off audio encoding/transcoding (MP3, Lossless Audio, Web-Formats, DVD-Audio)

Analogue to digital transfers, restoration and archival. (Vinyl-33/45/78, cassette, 1/4" -2" tape, 8-track, etc.)

Overflow & bulk audio editing and processing.

Internal/public marketing/training audio materials.
Business-to-business audio materials.
Seminars, conferences & meetings.
Motivational materials.
Promotional audio.


We offer private engineering/production lessons and studio training upon request. Most of us also teach at various local techincal schools, and the studio is a listed affiliate studio of The Recording Connection in Los Angeles.


See also: P.A.V.I. | Nimbus | Langara | Stylus College


Audio forensics analysis, reconstruction, restoration and background/noise removal are just some of the other services we provide.

Just because it's not listed doesn't mean we don't do it.
We'd be happy to discuss whatever outrageous audio service you need.



 

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SOUND EFFECT

A pre-recorded or simulated sound produced for a radio, television, film or theatrical program in order to suggest an actual sonic environment. The design of such sounds (often abbreviated as SFX), particularly when a complex acoustic environment is to be simulated, involves a thorough understanding of the structure of such a SOUNDSCAPE; that is, what sounds are representative and most significant, as well as which are necessary to create a given AMBIENCE and sense of ACOUSTIC SPACE.

SPECTRUM

The FREQUENCY content of a sound or audio SIGNAL, often displayed as a graphic representation of amplitude against frequency. The spectrum of a sound is a primary determinant of its perceived TIMBRE.

SCALE

An ordering of a system of PITCHes, usually in ascending FREQUENCY order. The distance between any two pitches or NOTEs is called an interval.

ACOUSTICS

(Greek: akouein = to hear) Commonly, the study of SOUND and its behaviour in various media and environments, including the effects of ABSORPTION, DIFFRACTION, INTERFERENCE, REFLECTION, and REFRACTION.

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