Summer 2014 Deals
28 June 2014
Summer Deals at Fader Master are back! Book your studio sessions from July 1, 2014 until September 1, 2014 for only $285.00+Tax. This price includes an assistant and there are no restrictions on the session times, or any studio equipment. Call or contact us to book your sessions while the deal lasts.
Studio Services

Below is a listing of the services we provide at Fader Master Sound Studios. Our studio rates depend on:

  1. What services you require.
  2. How long your project takes.
  3. Who and how many engineers/producers/assistants work on your project.
  4. What time slots you book the studio.

We provide a full service for most projects, from pre-production to mastering. Contact us about your project, and we will be glad to give you an estimate of how much it will cost.

We have been involved with many, many FACTOR grant applications, and offer our full support for any artist/band wishing to apply for a grant to record/produce at our studios.

We also have great connections with BandMerch, who provide a complete manufacturing service (MEDIA DUPLICATION-REPLICATION, PROMOTIONAL MERCHANDISE) at a discount for FaderMaster clients.

Pre-Production/Rehearsal
Production (Independent, Co-Production, Self-Serve)
Recording/Tracking
Mixing, Re-Mixing, Overdubs
Composition
Arrangement


Digital mastering & re-mastering for all types of audio, including music. Our online studio files service makes it easy for anyone, from anywhere to have audio mastered, without having to come to the studio or wait for a hard copy. Just upload your files via our client upload area, and you'll receive your masters back with our web-based media delivery service.


Complete sound design for film, television, multimedia, games, toys, the web & creative sound installations.


Musical Score & Sound Effects/Design (Indie films are welcome)
Mixing
Foley
Editing
Voice-Overs & ADR

Television & Radio Advertising Jingles

We use a fully mobile 24-track digital audio recording system: RADAR 24.

We can record anything you like, including location sound, choirs, bird calls & public/private events/shows.

Bulk or one-off audio encoding/transcoding (MP3, Lossless Audio, Web-Formats, DVD-Audio)

Analogue to digital transfers, restoration and archival. (Vinyl-33/45/78, cassette, 1/4" -2" tape, 8-track, etc.)

Overflow & bulk audio editing and processing.

Internal/public marketing/training audio materials.
Business-to-business audio materials.
Seminars, conferences & meetings.
Motivational materials.
Promotional audio.


We offer private engineering/production lessons and studio training upon request. Most of us also teach at various local techincal schools, and the studio is a listed affiliate studio of The Recording Connection in Los Angeles.


See also: P.A.V.I. | Nimbus | Langara | Stylus College


Audio forensics analysis, reconstruction, restoration and background/noise removal are just some of the other services we provide.

Just because it's not listed doesn't mean we don't do it.
We'd be happy to discuss whatever outrageous audio service you need.



 

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MUSIQUE CONCRĂˆTE

(French: concrete music) A development introduced in Paris in 1948 by Pierre Schaeffer at the studio of the French Radio (O.R.T.F.). Its aim was to replace traditional musical material with recorded (i.e. concrete) sounds which were then manipulated by FILTERing, tape reversal, TAPE LOOPs, speed changes, tape SPLICEs, or other electronic means. The source of all sounds, however, was environmental. The experimental side of this study developed the concept of l'objet sonore.

SCALE

An ordering of a system of PITCHes, usually in ascending FREQUENCY order. The distance between any two pitches or NOTEs is called an interval.

PERFECT PITCH

The ability to judge PITCH absolutely, without reference to another pitch or frequency. Also called absolute pitch. Perfect pitch appears to be an innate ability of some individuals, whereas related skills, such as remembered pitch or relative pitch which use other pitches as references, can be learned through musical practice.

BINAURAL

Literally, to hear with two ears. Opposite of MONAURAL HEARING. The fact that the ears are some distance apart allows the localization of sound by registering the slight differences in time, PHASE and INTENSITY of the sound striking each ear. Each of these parameters has a different area of effect, intensity being a major factor above 1500 Hz (see SOUND SHADOW), while PHASE DIFFERENCEs (which are equivalent to time differences) are used in localizing lower frequency sounds.

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